In late polyphonic music the central aspect is the delicate interplay of voices without any single one of them taking precedence. In music of a century later we find the dramatic use of a powerful individual voice, but in fifteenth-century English polyphone the emphasis rests upon the intricate melody of many voices. The character and abilities of the individual are only of consequence as an element within the harmonious organization of parts; we do not know the names of the masons who created the bell towers and fan-vaults of the great fifteenth-century churches. This is not the world of Luther or of what has become known as post-Reformation culture, but it remained the world of Thomas More.
–From Thomas More, by Peter Ackroyd
In this essay, I hope to trace some parallelisms between the moral shifts in Thomas More’s day and those in ours. The comparisons are, of course, imperfect. But I think they are also significant. Continue reading





